Damien Jurado | a premier music venue in downtown Fort Collins

Damien Jurado

All Ages
Friday, August 05, 2022
Door: 6pm | Show: 7pm
$24

We will only be accepting proof of full vaccination for Covid-19 into this show. Masks will still be required for entry and the duration of the event but a negative COVID test will not be accepted for admittance. By purchasing a ticket, you agree to this policy. 

Damien Jurado with Chris Pureka
On The Monster Who Hated Pennsylvania, Damien Jurado gathers up ten stories of people determined not to be broken by their dire circumstances. “The world is a liar, the stars are a must,” he sings over brushed drums, a circling bassline, and acoustic guitar on “Helena,” which opens his 17th album, the first release from Damien’s own Maraqopa Records. Dire circumstances have long been fixtures of Jurado’s songs, which are filled with ghosts, killers, cruel lovers, and the occasional UFO cult or false messiah. But here, the scenes are earthy, drawn from ordinary but no less immense calamities: hurricanes moving toward town, strained connections, amnesiacs in the front yard. On The Monster Who Hated Pennsylvania, Jurado pulls the curtains shut, blocking out “the light now embarrassed and afraid of the dark,” as he sings on “Tom,” one of the album’s haunting numbers, only to throw them open the exact moment sunshine needs to come flooding in.

Jurado has made sparser records than The Monster, but sonically it is among his most exposed, stripping away the cosmic gloss that defined his trio of albums with the late Richard Swift in favor of dry, homespun ambiance. “In a lot of ways, it’s a continuation of the work I did with Swift,” Jurado says. Had the producer not passed away in 2018—he’s been memorialized in a number of Damien’s recent songs—it’s likely the duo would have found themselves drawn in this direction too, Damien suspects, noting that the addition by subtraction approach imbued the new album with a certain quality of “emptiness,” creating the feel of a sort of spiritual karaoke track, tailor made for personal projection. “I wanted to leave space for the listener,” Jurado says.

On the album’s most harrowing and gripping song “Johnny Caravella,” he dreams up an epic of American strangeness in the vein of Springsteen’s “State Trooper” or Suicide’s “Frankie Teardrop.” His voice cracking over a distorted maw of guitars, Jurado narrates a frantic drive west, tuned into the sound of prophecy coming over the radio: “All is not lost/Even if you’re without a direction.” “Just stick around till the light pushes into the darkness,” Damien promises – or admits – at the burned-out husk of the song’s conclusion. Jurado’s best songs have long concerned inevitabilities. On The Monster Who Hated Pennsylvania, he offers up his own Twilight Zone, “a middle ground between light and shadow”…a dimension of imagination, of half-remembered dreams and people reaching out to cross into that liminal space between heartbreak and wholeness. Jurado knows the secret words to whisper at the right time. Press your eye to the speaker, tune your ear to the horizon.

Damien Jurado is an American singer/songwriter from Seattle, Washington. Over the years, he has released albums on Sub Pop and currently on Secretly Canadian. Jurado's solo career began during the mid-1990s, releasing lo-fi folk based recordings on his own cassette-only label, Casa Recordings. Gaining a local cult following in Seattle, he was brought to the attention of Sub Pop Records by Sunny Day Real Estate singer Jeremy Enigk. After two 7" releases (Motorbike and Trampoline) Sub Pop issued his first full album, Waters Ave S. in 1997.
Chris Pureka is an American acoustic singer-songwriter. Pureka identifies as genderqueer and cultivates an androgynous appearance. Pureka has received positive reviews in the long-running radical feminist publication off our backs and other magazines. Her music does not deal explicitly with LGBTQ or political issues, focusing instead on emotional interactions between individuals. She is a pescetarian.